The Mission was the last screenplay by Robert Bolt, the writer responsible for such epic, historical movies as A Man for All Seasons and Lawrence of Arabia. Director Roland Joffé has made a film equally ambitious in its scale, featuring breathtaking cinematography by Chris Menges, deeply moving performances from stars Jeremy Irons and Robert De Niro, and a soulful award winning score from Ennio Morricone.
Set in the 1750s and focusing on the true story of the Mission of San Miguel built at the summit of the massive Iguazu Falls and founded to shelter the indigenous Guaraní tribe who lived there; protecting them from slave traders during the on-going wars of Spanish Succession fought against the Portuguese over territories on the frontiers of Paraguay and Argentina.
Jeremy Irons plays Father Gabriel, a fervent Jesuit who single-handedly scales the perilous falls and wins the trust of the natives with his enchanting oboe playing and devotion to his faith. Robert De Niro is Captain Rodrigo Mendoza, a mercenary who kidnaps the Guaraní and sells them to both Portuguese and Spanish plantation owners; whose Roman Catholic King opposes slave trading.
When Mendoza’s fiancée Carlotta (Cherie Lunghi) confesses that she’s in love with his younger brother Felipe (Aidan Quinn) he becomes consumed with jealously and later when he discovers the couple in bed together, the two brothers fight a duel in which Felipe is killed. Mendoza is wracked with guilt and falls into an inconsolable depression, his remorse leads him to accept a penance from the Jesuit order to atone for his sins.
Father Gabriel convinces Mendoza to journey with him to the top of the falls, burdened further by dragging his heavy armour behind him as part of his punishment. Once they reach the top the Guaraní recognise the man who has hunted them and initially react with hostility but the priest assures them that the former slaver’s penitence is in earnest and he is accepted as one of the brethren. All is well until the Portuguese put pressure on the Spanish to cede the missionary land in accord with the Treaty of Madrid. The Papacy sends an Emissary, Cardinal Altamirano (Ray McAnally) to act as a mediator and determine their fate.
Altamirano, a former Jesuit himself, has to choose what he believes to be the lesser of the two evils; if he favours the colonists then the natives will be forced into slavery but if he allows the missions to remain then the Portuguese will condemn the Jesuit order and risk fracturing the Catholic Church in Europe. Despite being impressed with the beauty and success of the missionary community, Altamirano rules in favour of their closure.
The Jesuits defy the Cardinal’s decision promising to stay and protect the Guaraní from the colonial forces, ever the pragmatist Mendoza, now an ordained priest himself, argues with Father Gabriel on how they should go about defending themselves from imminent attack. Bolt’s script very cleverly explores the duality of man; Gabriel is unshakeable in his belief that an act of violence is a crime against God, whilst Mendoza is prepared to break his vows in order to defend the Mission by force if necessary.
Both Jeremy Irons and Robert De Niro give accomplished performances and the film, produced by David Puttnam, went on to win the prestigious Palme d’Or at the 1986 Cannes Film Festival. 25 years later the film looks absolutely stunning on Blu-ray, the full 1080p transfer is displayed in a 2.40:1 aspect ratio with a remarkably sharp image and lush colour palette most notable in the ample shots of verdant foliage. The DTS-HD 5.1 soundtrack perfectly mixes the dialogue with Morricone’s unforgettable Oscar winning original score.
The Mission is an intelligent and meticulously well written movie whose resounding themes are still relevant today and whilst the final images are rather harrowing they in no way detract from the sheer technical brilliance that went into capturing such a beautiful spectacle on film.
By Steve Exeter
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